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The New Critical Idiom


About the Series

The New Critical Idiom is an invaluable series of introductory guides designed to meet the needs of today's students grappling with the complexities of modern critical terminology. Each book in the series provides:

  • A clear, explanatory guide to the use (and abuse) of the term
  • An original and distinctive overview by a leading literary and cultural critic
  • Helpful definitions of the boundaries between the literary and non-literary
  • Basic guidance for the introductory reader in how the term relates to the larger field of cultural representation

With a strong emphasis on clarity, lively debate and the widest possible breadth of examples, The New Critical Idiom is an indispensable guide to key topics in literary studies.

68 Series Titles

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Performativity

Performativity

1st Edition

By James Loxley
December 04, 2006

Do our writings and our utterances reflect or describe our world, or do they intervene in it? Do they, perhaps, help to make it? If so, how? Within what limits, and with what implications? Contemporary theorists have considered the ways in which the languages we speak might be ‘performative’ in ...

Science Fiction

Science Fiction

2nd Edition

By Adam Roberts
January 13, 2006

Science Fiction is a fascinating and comprehensive introduction to one of the most popular areas of modern culture. This second edition reflects how the field is rapidly changing in both its practice and its critical reception. With an entirely new conclusion and all other chapters fully reworked ...

Mimesis

Mimesis

1st Edition

By Matthew Potolsky
April 12, 2006

A topic that has become increasingly central to the study of art, performance and literature, the term mimesis has long been used to refer to the relationship between an image and its ‘real’ original. However, recent theorists have extended the concept, highlighting new perspectives on key concerns...

Crime Fiction

Crime Fiction

1st Edition

By John Scaggs
June 13, 2005

Crime Fiction provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Using examples from a variety of novels, short stories, films and televisions series, John Scaggs: presents a concise history of crime fiction - from biblical narratives to James Ellroy -...

The Author

The Author

1st Edition

By Andrew Bennett
January 21, 2005

This volume investigates the changing definitions of the author, what it has meant historically to be an 'author', and the impact that this has had on literary culture. Andrew Bennett presents a clearly-structured discussion of the various theoretical debates surrounding authorship, exploring such ...

The Postmodern

The Postmodern

1st Edition

By Simon Malpas
January 07, 2005

Simon Malpas investigates the theories and definitions of postmodernism and postmodernity, and explores their impact in such areas as identity, history, art, literature and culture. In attempting to map the different forms of the postmodern, and the contrasting experiences of postmodernity in the ...

Discourse

Discourse

2nd Edition

By Sara Mills
September 08, 2004

This volume provides a broad analysis of the term 'discourse' and a thorough examination of the many theoretical assumptions surrounding it. In the revised edition of this invaluable guidebook, Sara Mills:*examines the historical definitions and developments of discourse*analyzes Foucault's use of ...

Drama/Theatre/Performance

Drama/Theatre/Performance

1st Edition

By Simon Shepherd, Mick Wallis
November 04, 2004

What is implied when we refer to the study of performing arts as 'drama', 'theatre' or 'performance'? Each term identifies a different tradition of thought and offers different possibilities to the student or practitioner. This book examines the history and use of the terms and investigates the ...

Magic(al) Realism

Magic(al) Realism

1st Edition

By Maggie Ann Bowers
November 04, 2004

Bestselling novels by Angela Carter, Salman Rushdie, Gabriel Garcia Marquez and a multitude of others have enchanted us by blurring the lines between reality and fantasy. Their genre of writing has been variously defined as 'magic', 'magical' or 'marvellous' realism and is quickly becoming a core ...

Romance

Romance

1st Edition

By Barbara Fuchs
November 03, 2004

Often derided as an inferior form of literature, 'romance' as a literary mode or genre defies satisfactory definition, dividing critics, scholars and readers alike. This useful guidebook traces the myriad transformations of 'romance' from medieval courtly love to Mills and Boon, and claims that its...

Difference

Difference

1st Edition

By Mark Currie
April 08, 2004

Difference is one of the most influential critical concepts of recent decades. Mark Currie offers a comprehensive account of the history of the term and its place in some of the most influential schools of theory of the past four decades, including post-structuralism, deconstruction, new ...

Realism

Realism

1st Edition

By Pam Morris
September 08, 2003

Coming to prominence with the nineteenth-century novel, literary realism has most often been associated with the insistence that art cannot turn away from the more sordid and harsh aspects of human existence. However, because realism is unavoidably tied up with the gnarly concept of 'reality' and '...

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