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Routledge Revivals: Una Ellis-Fermor


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Jacobean Drama (Routledge Revivals): An Interpretation

Jacobean Drama (Routledge Revivals): An Interpretation

1st Edition

Una Mary Ellis Fermor
November 18, 2013

First published in 1936, The Jacobean Drama is a brilliant interpretation of the drama written between the last years of Elizabeth I and the first years of Charles I.  Professor Una Mary Ellis-Fermor’s  book traces the evolution of thought and mood from the end of Marlowe’s career,...

Irish Dramatic Movement (Routledge Revivals): An Interpretation

Irish Dramatic Movement (Routledge Revivals): An Interpretation

1st Edition

Una Mary Ellis Fermor
November 18, 2013

First published in 1939, The Irish Dramatic Movement is a critical study of the dramatic work of W. B.  Yeats, Lady Gregory, Synge, their contemporaries and some of their successors. Professor Ellis-Fermor relates each to the movement as a whole, discussing the nature of poetic drama in the...

Tamburlaine the Great - In Two Parts (Routledge Revivals)

Tamburlaine the Great - In Two Parts (Routledge Revivals)

1st Edition

Una Mary Ellis Fermor
November 18, 2013

First published in 1930, in Tamburlaine the Great – in Two Parts, Professor Ellis-Fermor discusses early editions of the work and considers how far the spelling and punctuation of the 1590 octavo should be retained in modern editions. The author discusses the date that the play was written and its...

Christopher Marlowe (Routledge Revivals)

Christopher Marlowe (Routledge Revivals)

1st Edition

Una Mary Ellis Fermor
November 18, 2013

First published in 1927, this book aims to trace the development of Christopher Marlowe’s mind and art as these are revealed in the surviving parts of his work, while portraying the personality thus perceived. Professor Ellis-Fermor begins by looking at Marlowe’s life and early works, before making...

The Frontiers of Drama (Routledge Revivals)

The Frontiers of Drama (Routledge Revivals)

1st Edition

Una Mary Ellis Fermor
November 18, 2013

First published in 1964, this arresting and original work is a study of the relations between content and form in drama; the conflict between and ultimate reconciliation of certain kinds of material that life presents to the poet and the demands inherent in dramatic form and technique. There are...

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