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Critical Voices in Art, Theory and Culture


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England and its Aesthetes Biography and Taste

England and its Aesthetes: Biography and Taste

1st Edition

By David Carrier
November 01, 1998

First Published in 1999. John Ruskin (1819-1900), Walter Pater (1839-1894), and Adrian Stokes (1902-1972) represent three generations of English aesthetes whose writings have transformed art history and the formations of museums as we know them. They are three great writers in a distinctively ...

Difference / Indifference Musings on Postmodernism, Marcel Duchamp and John Cage

Difference / Indifference: Musings on Postmodernism, Marcel Duchamp and John Cage

1st Edition

By Moira Roth, Jonathan D Katz
October 01, 1998

First Published in 1999. For the first time gathered together in book form, here are the influential writings of Moira Roth-articles, lectures, and inter­views-on the two men who for so long embodied the very spirit of the avant­garde, Marcel Duchamp and John Cage. For almost thirty years Duchamp ...

Music and Ideology Resisting the Aesthetic

Music and Ideology: Resisting the Aesthetic

1st Edition

Edited By Adam Krims
August 01, 1998

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company....

Footnotes Six Choreographers Inscribe the Page

Footnotes: Six Choreographers Inscribe the Page

1st Edition

By Elena Alexander, Jill Johnston, Douglas Dunn, Marjorie Gamso, Ishmael Houston-Jones, Kenneth King, Yvonne Meier, Sarah Skaggs
July 01, 1998

The writings of six choreographers are assembled in this book and the leap they have taken to go from the medium of choreography into written text constitutes a form of translation. Some of the texts investigate the possibilities of written language as invention, others use it as a means to ...

Wake of Art Criticism, Philosophy, and the Ends of Taste

Wake of Art: Criticism, Philosophy, and the Ends of Taste

1st Edition

By Arthur C. Danto, Gregg Horowitz, Tom Huhn, Saul Ostrow
June 01, 1998

Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism ...

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